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| Midway Plantation in its new setting |
Last night your Head Trucker watched Moving Midway, which he recommends to all you fellas if you have any interest in Southern history and culture. It's a really well-made documentary about the moving of an old plantation house near Raleigh, done by a filmmaker who happens to be part of the family. And it shows very nicely how the ghosts of our Southern past linger in the present. As Faulkner said, "The past is never dead. It's not even past."
Your Head Trucker can relate to all this in a way. Having traced all my grandparents' ancestral lines back to at least the year 1800, and a few of them back to the late 1600's, in Old Virginia and Maryland - ten generations - I can imagine the sense of history and connectedness felt by the family at the center of this film. Although it appears that most of my ancestors were small farmers who lived and died in obscurity, there were a couple of branches that were in the planter class, with fine old homes like you see in this documentary. One well-to-do branch lived in Fairfax County, Virginia, where Martha Washington recorded having a certain Mrs. ____ to tea one afternoon at Mount Vernon - my great-great-great-great-great-grandmother. Descendants of those families followed the western movement of the cotton lands first to Georgia, and then on to Alabama and Mississippi. In addition to being planters, they were also army officers, lawyers, and judges. One of my great-great-grandfathers, who was killed in the War, was first cousin to a Confederate general whose plantation house in East Texas still stands, and who by marriage was very well-connected indeed.
And of course, my planter ancestors owned dozens of slaves - duly recorded in 19th-century census schedules - who worked the fields and may have helped build them large, roomy houses like Midway - though in most cases not as imposing as you may think from watching the movies. (At the premiere of Gone With the Wind, Margaret Mitchell laughed out loud at the grand appearance of Tara - in the book, true to history, she describes it as merely a large, rambling farmhouse, "upcountry functional" as she later said - it was the Yankee David O. Selznick who transformed Mitchell's carefully accurate descriptions into the exquisite but preposterous visions you see on screen.)
My mama, however, swore that she remembered visiting the cousins in Mississippi as a girl and seeing the ruins of the big house, with the white columns still standing. Alas, my male forebears tended to be younger sons of younger sons, or in the female line, so they wouldn't have ended up with those places anyway; and then too, the War swept all the wealth and plantations away. But the memory lingered a long time in the familial memory, brightened and embellished in certain interesting ways.
According to my mother and my uncle, who both told the same story, there was one great-grandmother who, when the Yankees came, absolutely refused to leave her home, and neither guns nor bayonets could drive her out. So they set fire to it and burned it down over her head; but someone, friend or foe, must have dragged her out at the last moment because, as the story goes, her mind was so stricken by the terrifying experience that never thereafter would she sleep in a regular house again. The family had to build her a tree house in the yard, where she made her abode, perched in the branches like a bird, unconquered and defiant to the end of her days.
You have to admit, it does make an awfully good story, don't it? We Southerners have a talent for that sort of thing, or used to. Unfortunately, there is no actual record of such an event to be found, and from my genealogical researches, it does not appear that there was any great-grandmother who would have been the right age and in the right place for such a thing to happen to. But sometimes the myth is much more important than the history.
Continued after the jump . . .



